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#Jazz guitar chord dictionary pdf how to#
#Jazz guitar chord dictionary pdf pdf#
#Jazz guitar chord dictionary pdf pro#
#Jazz guitar chord dictionary pdf code#

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#Jazz guitar chord dictionary pdf code#

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#Jazz guitar chord dictionary pdf how to#

This entry was posted in Blog, Lesson and tagged chord inversions, chord inversions guitar, chord inversions guitar jazz, chord inversions guitar lesson, guitar chord inversions, how to learn jazz guitar, how to play jazz chords on guitar, how to play jazz guitar, jazz chords guitar, jazz guitar, jazz guitar chord inversions, jazz guitar chord inversions pdf, jazz guitar chord lesson, jazz guitar chords, jazz guitar lesson, Jens Larsen, voice leading, voice leading guitar on Septemby jens.For a limited time only, get 20% off orders of $40 or more! Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts, and releases. That is the best way for me to improve my lessons and make them fit what you are searching for. Leave a comment on the video or send me an e-mail. If you have any questions, comments or suggestions for topics then please let me know.

#Jazz guitar chord dictionary pdf pdf#

You can also download the PDF of my examples here: Sign up for my newsletter – Get the II V I Ebook Get the PDF! How to use Great Flexible 3-note Jazz Voicings If you want to check out some more ideas then check out this video and learn some beautiful chord voicings and inner-voice ideas with 15 rootless II V I voicings. In the last one, it would be the melody which also sounds really good. Or make a simpler variation like this one:Īnother thing that these voicings can do really well is inner-voice movement that could be something like this. This is a pretty easy thing to play that also sounds great. In this case, that means moving the C, on the D string, up to a D and the B, on the B string, down to an A. Now we can construct a II V I with the shell-voicing and make inversions of these chord sets.Īnd the inversions we can create from this set of chords: A great trick with Shell-VoicingsĪ great way to create some moving voices when you use shell voicings is to move the outer voices in opposite directions. Creating and inverting a II V I for the shell-voicing

Below is first the shell-voicing and then the two inversions. If you try the same with a Shell-voicing like for example Cmaj7. If you do this in the other postions you get this: Inversions of Shell-voicings Working through a few progressions like this is incredible for your fretboard knowledge and understanding of chords and voice-leading, even if you don’t use these voicings that in itself is a great exercise. Since it is only 3 notes you can easily look at how the voices move: F, F, E, E, Eb, D and C, B, B If I took the first one and played a II V I in C then that could be this: II V I in C You probably know this great Dm7(9) voicing and maybe you also use the rootless version.īut from this rootless 3-note chord you can make beautiful voicings like this with inversions: Putting inversions to use on a progression, not just a chord